There's still exterior work to be done - the porch must be shingled, about half of the trim still awaits attention - but mostly, the exterior is now restored. Better yet, there were no injuries, and the project came in under budget and early, despite a couple of serious problems with materials.
At right is a short video that reviews the work of the last two summers, along with a glimpse of how the house appeared when we first saw it in 2006.
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The old dark house was wrapped in a blanket of fog that August evening, the sky moonless. Although it was near the peak of summer there was a seeping chill. In the distance, a beast howled.
TOP: Start of the roof tearoff. Notice the tarp-covered frames to protect the plants |
Then suddenly from the attic, footsteps. First a heavy step, then in stumbling fashion, another clumsy tread, then another. Then another. Moving closer.
"Someone is upstairs!" I exclaimed, bolting from my chair. Up the steps into the dark I flew, a flashlight in one hand, a claw hammer in the other. My heart pounded as I ripped open the attic door, expecting the worst.
My flashlight's beam probed every corner as I sought that lurker in the dark, yet no skulking invader awaited. I was the only person in the attic. Living person. Clearly: Proof of a ghostly encounter. The footsteps were of the murderous tycoon James Oates, or any of the better souls who died in this very place.
Or perhaps... were the lumbering footsteps actually lumber? Could the sounds merely be a cascade of creaks caused by temperature and stress fluctuations in the century-old rafters, floor joists, and beams, after about two tons of old shingles were removed from the roof? Was the howling beast possibly our neighbor's lovable beagle? Was the homeowner in the attic with a hammer easily spooked? Could a blog update offer a more belabored intro? Who can say for sure?
The tearoff of the eastern roof was certainly dramatic; almost all of the living space in Comstock House is on that side, and soon after the demolition began, a new draft pulled through the entire house, even when the attic door was closed. Soon after came a faint smell of something very old (think of Dickens' dismal Miss Haversham) and by evening, a thin layer of talcum-like dust was everywhere. I sneezed for two days, when I wasn't charging into the attic with a hammer.
The mostly chill days of August were the busiest yet for the Comstock House restoration project. Most mornings found Filipe Garcia, sometimes supported by another worker from Ridgeline Roofing, methodically laying new shingles over the old sheathing boards, which were already dotted with nails from (at least) two previous roofs. Jim Scotchler continued shingling the white cedar sidewall. A dozen other contractors came and went, the driveway always blocked by trucks.
The groaning house and blanket of microdust aside, the most noteworthy event of the month was the discovery that the house originally had a bizarre gutter system, as discussed at length in a separate post on the Restora Obscura blog. Superior Seamless Gutter of Santa Rosa also came by and fabricated a 58' long gutter for the front of the house.
The greatest challenges were restoring the windows and frames, which suffer far more weather on the east than any other face of the house. But the experienced gained from a year of breath-holding work sessions during the 2007 restoration of an attic window now paid a reward. This summer there were eleven distressed windows removed at one point, all moving between the basement workshop and outdoor tables for various stages of repair.
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All of the attic windows and most of the ones on the second floor had at least one lower joint that had separated. The top window at left below only needed glue and a clamp to bring the mortise and tendon back together; the window beneath was in far worse shape, with a large section of the stile rotted away. To restore it, I made a form on the window side and the bottom using popsicle sticks held in place with push-pins. (If I ever write a book on the Comstock House restoration, a chapter will be called, "Toothpicks, Popsicle Sticks, and Tiny Dental Tools.") The photo in the center shows the area filled with epoxy as viewed from the bottom of the window.
The final image below shows the same window in the process of glazing, using an unorthodox technique of my own. First I crudely pack the window with fresh, warmed putty - DAP 33 only, please. It should have the consistency of room-temperature butter; the only goal is to ensure the putty has good adhesion to the glass and wood. After it has dried for two or three days the putty will be firmed up similar to cold cream cheese, and you can make the 45° cut with a utility knife. Half (or more) of the putty will be sliced off and thrown away. Dip the end of a flat edge glaziers tool in linseed oil and drag it over the putty to achieve a smooth line. The linseed oil also helps the putty tighten when it dries. Allow it to sit in the sun for at least a week before painting. This technique is time-consuming, but overall less labor intensive than trying to finish glazing in one session.
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Five weeks into it, the project already feels like ballet dancing while rounds of live ammo fly overhead.
Our schedule called for almost everything to be finished in 100 days, a time table that was tight but allowed for ten days of leeway. But the wet spring pushed the starting date back to the last week of June, nearly a month later than anticipated. Worse, that cold, rainy weather also delayed our contractors' work for their other customers, making everyone now very busy bees. The result is that any glitch can easily cascade into a freeway pile-up. Everything almost came to a halt when we discovered (A) there wasn't enough of a custom piece of trim, which (B) the painter had to paint before (C) the carpenter attached it to the house which had to be done before (D) the roofers could roof. If the good folks at Redwood Lumber Company hadn't been able to hustle through additional moulding on short notice, we easily could have lost a project week as the delay rippled through everyone's schedules. A couple of problems like that and the roofing project might be pushed dangerously close to the usual start of the autumn rainy season.
(RIGHT: Full house on the scaffolds, with five contractors)
Although it seems that there's always more repair work needed than expected, the job is mostly on time, here at the halfway mark. Filipe Garcia of Ridgeline Roofing finished the western side of the roof on August 6, just short of six weeks after the new rain gutters were installed (to be discussed in the next update). Jeff Patton of Patton Painting has continued the faux painting he did for the trim on the upper floors of the north face. 
Jim Scotchler has shingled all of the west gable, as well as finishing the last remaining sidewall. Except for the porches and upper floors of the east face, all of the Eastern White Cedar sidewall shingling is complete.
The main challenge of this phase was solving the mystery of the bargeboard, which is a subject of its own essay over at the "Restora Obscura" blog. Not far behind was grappling with the windows. We found the cathedral windows were in pretty good shape (thank heavens), but all other windows on the upper west face were verging of collapse. All had at least one mortise and tendon joint open (detail of the little shed window seen at right), the redwood frames in advanced decay from years of exposure to the elements, and the glass barely held in place by the remains of crumbling putty. Not to worry, though; we had already wrestled with a badly failing window as our first restoration project back in 2007, so we knew the techniques and materials needed to fix them like (almost) new.
Not so clear-cut were the problems of the leaded glass windows in the master bathroom. Every attempt at repair only served to reveal something worse. The glass in both windows was sagging and bowing. Candice resoldered the many broken joints in the H Came, which firmed up the window structure - but found she was unable to repair the broken reinforcing stained glass rebar in one of the windows. Then while cleaning out the old putty to reglaze, we discovered that the crucial U Came (the "U" shaped strip of lead that both holds together the assembled glass structure and is joined to the wood frame by glazing) was mostly gone, the material both crushed by an earlier repair attempt and oxidized into nothingness where the glazing putty had fallen out. We were left with no choice but a complete rebuild. This was another surprise that could have delayed part of the project, but were fortunate that Bob Tutone, president of SGO Designer Glass & Doors in Santa Rosa was game to personally handle our job. (This company really knows artisan glass; check out their portfolio of doors and ceiling panels and window overlays.) The outcome of his craftsmanship is a pair of windows that are probably in their best shape since FDR was in the White House.
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A final project in these busy weeks was small but rewarding. Despite the chaos of demolition and reconstruction, the summer of 2010 has brought family visitors, and the main guest bedroom lacked a single window with a wire screen for ventilation. The screen that had been on one of the windows was disintegrating (once I swatted a fly and watched as a large patch of wire mesh crumbled into dust) and the wood frame had the same peeling paint and rot as other exterior wood. All of that frame - including the half-round trim around the screen - was redwood, and probably custom built for the house in 1905.Our research suggested that lacquered bronze mesh was the material of choice for window screens in that era, and that's what we used for the rescreening. We were happily surprised when we found a bit of the old screen still in original condition under the half-round trim, and sure enough, it was exactly the same kind of bronze screen as we are using. In another little way, Comstock House is again beginning to look as it did when new.
After a year's planning, the summer of 2010 is bringing a new roof to Comstock House. This posting is first in a biweekly series to show the state of progress.
The photograph below shows the status as of July 15. The old shingles on the west side have been completely removed, and new copper gutters are in place, protected with plywood against dropping accidents. Felipe Garcia of Ridgeline Roofing has completed shingling of the mansard portion of the northwest roof, and the peak of the roof is loaded with bundles of shingles to complete the west side. To the right are the towers of shingles that filled the driveway. The tallest pallete holds the Eastern White Cedar that will be used to complete the sidewall; all other shingles are Western Red Cedar for the roof.
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RIGHT: Marshall Scaffolding built two sturdy towers, enabling us to reach the peak of the gable and step onto the top of the roof
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RIGHT: Contractor David Jessen applies sealant between the trim and nail board